Wednesday, April 9, 2025

Works Cited

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Holzberg, B. and Lehtonen, A. (2021) ‘The affective life of heterosexuality: heteropessimism and postfeminism in Fleabag’, Feminist Media Studies, 22(8), pp. 1902–1917. doi: 10.1080/14680777.2021.1922485. 


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Park-Finch, H. (2024) ‘Institutionalising the “bad” postfeminist: phoebe waller-bridge’s fleabag from stage to television’, in B. Worthy and P. Sheehan (eds) Adapting Television and Literature. Cham: Springer International Publishing, pp. 43–61. Available at: https://doi.org/10.1007/978-3-031-50832-5_3


Stewart, S.E. (2013). A Review of Fleabag. Civilian Theatre. https://civiliantheatre.com/reviews/2013-3/fleabag/ 


Tasioula, E.E. “The Unruliness of Fleabag: A Tightrope of Intimacy and Distance.” Overtones 3 (2024): 31-6.


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Wanzo, R. (2016) ‘Precarious-girl comedy: issa rae, lena dunham, and abjection aesthetics’, Camera Obscura: Feminism, Culture, and Media Studies, 31(2), pp. 27–59. Available at: https://doi.org/10.1215/02705346-3592565.  

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Introduction

Fleabag inspects the role of the self-proclaimed ‘bad feminist’ within a confessional monologue (16). Fleabag is a postfeminist text, worki...